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NAZA'S RESUME
MUSEUM EXHIBITIONS
São Paulo Museum of Art, São Paulo, Brazil, 1983
Latino Museum, Pomona, California, 2006
Museum of Latin American Art - OAS, Washington DC, 1994
Fayetteville Museum of Art, Fayetteville, NC, 1991
Museum of Contemporary Art, Washington DC, 1997
Museum of the State of Piauí, Teresina, PI, Brazil, 1990
Cornell Museum of Art and History, Delray Beach, FL, 1995
Cornell Museum of Art and History, Delray Beach, FL, 1999
Cornell Museum of Art and History, Delray Beach, FL, 2000
Florida Museum of Hispanic and Latin American Art, Miami, FL, 1995
AWARDS AND HONORS
Key to the city of Boca Raton, FL, from Hon. Mayor Carol Hanson, October, 1999
Emerging Artists Grant, Fayetteville Arts Council, NC, 1991
Second place, Broward Art Guild, Fort Lauderdale, FL, 2022
Honorable Mention, Cornel Museum of Art and History, Delray Beach, FL, 1999
Croix dArgent, from Le Mérite Dévouement Français, European Academy of Arts and Letters, Paris, France, 1997
Merit Award, North Carolina Artists Competition, Fayetteville Museum of Art, 1991
Brazilian Press Award, Fort Lauderdale, FL, 1998 and 2006
Proclamation by the Brazilian Senate, May 30 2006, Brasilia, Brazil
Comenda Renacança, from the Government of The State of Piauí, Teresina, Brazil, 1999
Best of Show, MSA Art Show, Fort Clayton, Republic of Panama, 1987
First Place Mixed Media, Mallet Rogers Gallery, Fayetteville, NC, 1991
Acquisition Prize, III National Competition of FENAB, Belo Horizonte, Brazil, 1983
Honorable Mention, Fayetteville Arts Council, NC, 1992
Soroptimist International Woman of The Year in the Arts, Boca Raton, FL 1996
Golden Palette, Awarded by a special jury of the Jacques Wayne School of Art to four leading artists in Recife, Brazil, 1982
Second place Watercolor, MSA Art Competition, Fort Clayton, Republic of Panama, 1987
Third place acrylic, Arts Center Spring Exhibition, Howard AFB, Republic of Panama, 1987
Communication Prize, given by Picos Journal, Picos, Brazil, 1984
Honorable Mention, X AAFBB National Competition, Rio de Janeiro, Brazil, 1984
Honorable Mention, II National Reception for the Arts, FENAB, Brasilia, Brazil, 1981
SELECTED SOLO EXHIBITIONS
Naza na Natureza, Fortaleza University, June 5 to September 5 2023
Galeria José de Alencar, Fortaleza, CE, 2017
Silvana Tamer Gallery, Sao Luis, Brazil, 2018
Arte Maior Galeria, Recife, Brazil, 2008
Eleven Eleven Gallery, Boca Raton, FL 2007
UNIFOR- University of Fortaleza, Fortaleza, Brazil, 2005
Avant Gallery, Aventura (Miami) FL 2001
JLP Gallery, Paris, France 1997
Parish Gallery, Georgetown, Washington DC, 1992
Vila Riso Gallery, Rio de Janeiro, Brazil, 1996
Governors Club, West Palm Beach, FL, 1996
Gallery of the House of Representatives, Brasilia, Brazil, 1996
Governors Club, West Palm Beach, FL, 1995
Ardel Gallery, Washington DC, 1989
Magna Gallery, Republic of Panama, 1987
Fayetteville Arts Council, Fayetteville, NC, 1992
Arte Maior Gallery, Recife, Brazil, 1980
Gallery Two, Wooster, Ohio, 1988
Banco Nacional Gallery, Republic of Panama, 1986
Patrimony Gallery, Recife, Brazil, 1983 and 1990
Espaço Gallery, Miami, FL 2005
SELECTED INVITATIONAL EXHIBITIONS AND COMPETITIONS
Broward Art Guild gallery, Frt Lauderdale, FL, 2022
Studio Gallery 208, Competition Covid 19, Washington, DC, 2020
Montmartre Art Gallery, Teresina Brazil, 2016, 2017, and 2018
Art and Design Gallery, Miami, FL. 2017
Galeria Jose de Alencar, Fortaleza, Brasil, 2017
Galleria do Tribunal do Trabalho, Teresina Brazil
Gallery Six, Fort Lauderdale, 2002
Art Serve, Fort Lauderdale, 2003
Espaco Cultural da Camara dos Deputados, Brasilia, Brasil, 2011
Parish Gallery, Georgetown, Washington, D.C, 2005
Gallery Six, Broward Co, Ft Lauderdale, FL, 2003 and 2005
Victory Sports Gallery, Montreal, Quebec, Canada, 1999
Art Gallery 93, Nyack, NY, 1997
Art and Design Gallery, Miami, FL, 2017
Galeria Jose de Alencar, Fortaleza, CE, 2018
Overseas Gallery, Coral Gables, FL, 1997
Clark and Co Gallery, Washington DC, 1993
H.B. Star Gallery, Palm Beach, FL, 1993
Ganexa Gallery, Chinese-Panamanian Cultural Center, Republic of Panama, 1987
Ritz gallery, Washington DC, 1990
Patrimony Gallery, Invitational, Recife, Brazil, 1981
Patrimony Gallery, (Boa Viagem Affiliate), Recife, Brazil, 1982
Arte Maior Gallery, Recife, Brazil, 1978
Angelus Gallery, Recife, Brazil, 1978
III Salão da Independência, Clube Naval, Brasilia, Brazil, 1987
VASP Gallery, Salão Pernambucano de Artes, Brasilia, Brazil, 1977
SELECTED COMPETITIONS
National Pirelli Prize of Young Art, São Paulo Museum of Art, S. Paulo, Brazil, 1983
Inspirations 99, Cornell Museum of Art and History, Delray Beach, FL 1999
19th Annual Competition for North Carolina Artists, Fayetteville Museum of Art, Fayetteville, NC, 1991
Salon de Peinture et d'Estampe de Montreal, Galerie Art Jeuness, Montreal, Canada, 1990
Emerging Artists, Fayetteville Arts Council, Fayetteville, NC, 1991
Inspirations 95, Cornell Museum of Art and History, Delray Beach, FL, 1995
Mallet Rogers Gallery, Art Guild Competition, Fayetteville, NC, 1991
Kaleidoscope Competition for the State of North Caroline, The Burke Arts Council, Morganton, NC, 1991
Fayetteville Arts Council Competition, Fayetteville, NC, 1992
Wayne Center for the Arts, Summer Show '88, Wooster, OH, 1988
Arts Center Spring Exhibition, Howard AFB, Republic of Panama, 1988
MSA Competition, Fort Clayton, Republic of Panama, 1987
Fourth National Competition of FENAB, São Paulo, Brazil, 1984
Third National Competition of FENAB, São Paulo, Brazil, 1983
Second National Competition of FENAB, São Paulo, Brazil, 1982
X AAFBB Reception for the Arts Competition, Rio de Janeiro, Brazil, 1984
Salao da Inconfidência, Clube Naval, Brasilia, Brazil, 1976
REVIEWS AND INTERVIEWS
MAGAZINES
Veja Magazine, Brazil, 1996
Palm Beach Society Magazine
Cidade Verde Magazine
Yay! Magazine
Museum and Arts Magazine, Washington DC, March/April 1990
Brazil USA Magazine, Boca Raton, FL, July 2015
Acontece Magazine, Miami, FL, 2014
Brazilian People Magazine, Fort Lauderdale, FL 2006
Cover of Ponto de Encontro Magazine, Elizabeth, NJ, April 1997
Cover of Today's Boca Woman Magazine, Boca Raton, FL, May 1994
World Magazine, Boston, MA, 2002
Cover of Brazilian People Magazine, Boca Raton, FL, May 1995
Olho Vivo Magazine- Tokio, Japan, Jan 2005
Linha Aberta Magazine, Deerfield Beach, FL, Jan 2005, 2007, 2011, 2017, and 2021.
Delles e Dellas Magazine, Miami, FL 2003
Momento Magazine, Miami, FL, February 1994
XS Magazine, Fort Lauderdale, FL, July 1995
Brazil Magazine, Miami, FL, January 1997
Real Magazine, Boca Raton, Deerfield Beach, Pompano Beach and Fort Lauderdale, FL, April/May 1995
Brazilian People Magazine, Miami, FL, August 1996
Leia Hoje Magazine, Brazil, September 1993
Enfoque Amazonico Magazine, Brazil, August 1995
Lea Magazine, Palm Beach Co., FL, January 1995
Osmus Magazine, Miami, January 1997
NEWSPAPERS
Boca News, Boca Raton, FL July, 11, 1999
The Miami Herald (El Nuevo Heraldo), September 6 2015
Sun Sentinel, Fort Lauderdale, FL , Nov. 30, 1997
Boca News, Boca Raton, FL October, 5 1997
Folha de São Paulo, São Paulo, Brazil, January 15, 1990
Sun-Sentinel, Fort Lauderdale, FL, February 5, 1996
Sun-Sentinel, Fort Lauderdale, FL, September 24, 1995
Ithaca Journal, Ithaca, NY, February 8, 1996
The News, Boca Raton, FL, July 1994
The News, Boca Raton, FL, November 1994
The News, Boca Raton, FL, February 1995
The News, Boca Raton, FL, April 1995
The News, Boca Raton, FL, March 1995
La Prensa, Republic of Panama, November 1986
Fayetteville Observer Times, Fayetteville, NC, June 1991
Achei USA, Pompano Beach, FL, July 2 2015, May 15 2014, and June 18 2016
Florida Review, Miami, FL, May 1993
Florida Review, Miami, FL, May 1995
Brazilian Press, Kearny, NJ, February 2003
Tribuna, Fort Lauderdale, FL 2003
The Daily Record, Wooster, Ohio, August 1988
Pentagram, Washington DC, September 1989
The Army Times, Springfield, VA, October 1989
The Army Times, Springfield, VA, June 1990
Tribuna da Imprensa, Rio de Janeiro, Brazil, July 1995
South Florida Funtimes, August 24 2015
El Latino, Washington DC, October 1989
Air Force Times, Springfield, VA, October 1989
Navy Times, Springfield, VA, October 1989
Jornal do Comércio, Recife, Brazil, August 1990
Diário de Pernambuco, Recife, Brazil, July 1990
Diário do Nordeste, Fortaleza, Brazil, September 1982 and March of 2005
La Nacion, Washington DC, September 1992
La Nacion, Washington DC, October 1992
SCN News, Fort Clayton, Republic of Panama, November 1986
Brazilian Times, Fort Lauderdale, FL, May 1993
Brazilian Times, Massachusetts, 2015
Brazilian Times, Fort Lauderdale, FL, April 1995
Meio Norte, Teresina, PI, Brazil, January 1997
Brazilian Post, Miami, FL, April 1995
About, Miami, FL, December 1996
O Estado do Maranhão, São Luís, Brazil, August 1993
O Estado do Maranhão, São Luís, Brazil, August 1995 and October 2nd 2016
Jornal de Hoje, São Luís, Brazil, September 1993
Jornal de Hoje, São Luís, Brazil, August 1995
O Dia, Teresina, Brazil, August 4, 7, 9, 10, 12 and 13, 1990, June 1998, May 1999
O Dia, Teresina, Brazil, June 1995
Jornal O Estado, Teresina, Brazil, June 1995
Jornal O Estado, Teresina, Brazil, August 5 and 6, 1990
Jornal da Manhã, Teresina, Brazil, August 1990
Dalton Gazette, Dalton, Ohio, November 1988
Jornal das Artes, Recife, Brazil, September 1977
Di·rio do Povo, Teresina, Brazil, August 1990, June 1995, May 1998, and May 1999
Jornal do BANDEPE, Recife, Brazil, 1977
Jornal O Dia, Macapá, Brazil, July 1995
Jornal de Picos, Brazil, May 1983
Over 100 individual citations in periodical publications in Brazil, Panam and the United States
TELEVISION NETWORKS
NBC News, Ch. 6, Fort Lauderdale, FL , June 2006
TV Verdes Mares, Globo Network, Fortaleza, Brazil 2023
Ian Gomes, Bem Estar, Canal 5, Fortaleza, Brazil, july 2023
Inside TV, Rivanildo Feitosa, Teresina, Brazil, 2008, 2009, 2012, 2015, 22022, and 2023.
G1 (Globo TV Network), Fortaleza, June 2023
Ana Leopoldina, TV Bandeirantes, Sã Luís, MA, Brazil 2022
CBS World TV, Miami, FL, June 1999
SBT/CBS Brazil, National broadcast with Leila Cordeiro, June 1999
G1 (Globo TV Network), Macapa, AP, November 2015
Globo TV Network (TV Clube) Teresina, PI, 2014
Manchete TV Network, The Amaury Junior Show, National, São Paulo, Brazil, October 1997
CBS News, Eyewitness News, Florida, USA, February 4, October 20, 1996
Fox 29, Florida, USA, February 4 1996
SBT Television Network, National Broadcast with Leila Cordeiro, São Paolo, Brazil, March 1997
Channel 10 TV Network, "Heart of the Matter", Fairfax, VA and Washington DC Metropolitan Area, October 1993
Yeda Falcão, TV Bandeirantes, São Luís, Brazil, 2018
TV Picos, Glb Television Netwrk, evening news, Picos, Brazil, 2010, 2012, and 2017
Leidy de Sousa, Sob Outro Olhar, Teresina, Teresina, Brazil, 2017
Norma Soely, TV Antares, Teresina, Brazil, 2017
Globo Television Network, TV Gazeta, São Paulo, Brazil, November 1983
Brazil Network, TV Educativa, National News, Rio de Janeiro, Brazil, March 1996
TV Verdes Mares, Fortaleza, Brazil March 2005
TV O Povo, Fortaleza, Brazil, March 2005
Globo Television Network, TV Mirante, São Luis, Brazil, August 1995
TV Meio Norte, Teresina, Brazil, August 1997, November 1998 and May 1999
Channel 17 - Aqui Brazil, Miami, FL, December 1995
Manchete Television Network, "Flor de Lis", S. Luis, Brazil, August 1993
Manchete Television Network, "Flor de Lis", S. Luis, Brazil, August 1995
Brazil TV Network, Teresina, Brazil, July 1990
Brazil Television Network, Teresina, Brazil, August 1990
TV Clube, Globo Television Network, Teresina, Brazil, June 1990
TV Clube, Globo Television Network, Teresina, Brazil, August 1990
Bandeirantes Television Network, Teresina, Brazil, June 1990
Bandeirantes Television Network, Teresina, Brazil, August 1990
Manchete Television Network, Teresina, Brazil, August 1990
TV Timom, Teresina, Brazil, June 1995
Channel 4, "Panama em Vivo", Republic of Panama, December 1986
Channel 2, "Programa Estilo", Republic of Panama, September 1987
Channel 13, "Saturday with Martini Blanco", Republic of Panama, September 1987
Globo TV Network, TV Clube, Teresina, Brazil, November 1983
Globo TV Network, TV Clube, Teresina, Brazil, December 1983
TV Marco, Zero - Macapá, Brazil, February 1996
TV Amapá, Macapá, Brazil, January 1997
COMMISSIONS AND COLLECTIONS
President Bill Clinton, Washington, DC
Ivana Trump, Palm Beach, FL
Miami International Hispanic Theater Festival
President Barack Obama
Ayrton Senna Institute, São Paulo, Brazil
President Fernando Henrique Cardoso, Brasilia, Brazil
Brigitte Bardot Foundation, Paris, France
Roberto Carlos, Sao Paulo, Brazil
President Dilma Rousseff
Florida Marlins
Emerson Fittipaldi
Martin Luther King Library, Washington, DC
Countess De Hoernle, Boca Raton, FL
The West Point Museum, Portrait of Dr. Frederico Garcia, West Point, NY
Fayetteville Museum of Art, NC
Museum of the State of Piaui, Brazil
General Manuel Noriega Family, Republic of Panama
Mural, Commissioned by Nations Bank and Fayetteville Arts Council, NC
Ambassador Diego Asencio, Palm Beach, FL
Banco do Brasil, Brasília, Brazil
Frequently travels throughout the World to paint commissions by the "Who's Who" of all continents
TAM Airlines
David Neeleman, President of JetBlue Airlines, Spirit Airlines, and Azul Airlines
WORK PUBLISHED IN THE FOLLOWING BOOKS
“Abstracted Realism by Naza” , author: Suzane Jales, biography book
“500 Anos de Arte No Brasil” (500 Years of Art In Brazil), published by Edson Queiroz Foundation
“Luso-American Literature” – COVER - published by Rutgers University Press
“American Heroes” - COVER - Marshall Cavendish/Benchmark Books
“Best Of Worldwide Oil Artists” – Volume I, COVER – Kennedy Publishing
“Who’s Who in America”, Marquis, R.R. Bowker Reference Publishing Company
“Who’s Who in the World”, Marquis, R.R. Bowker Reference Publishing Company
“Retratos do Brasil”, journalist Carlos Borges
"Who is Who in American Art",Marquis, R.R.Bowker, Reference Publishing Company,
“International Art Diary”, Editor: Giancarlo Politi
“Diana in The Arts” – by Mem Mehmet - Chaucer Press - London - UK
TEACHING EXPERIENCE
Drawing, University of Fortaleza, UNIFOR, Brazil, 2005
Drawing, Fayetteville Technical Community College at the Fayetteville Museum of Art, Fayetteville, NC
Drawing, Art and Crafts Center, Fort Bragg, NC
Painting (oil portraits), Arts and Crafts Center, Fort Bragg, NC
SEMINARS AND CONFERENCES ATTENDED
"Legal Aspects of Art in Public Places", by Washington Area Lawyers for the Arts - American University, Washington DC, 1989
The National Portrait Seminar - John Howard Sanden - Stouffer Waverly Hotel, Atlanta, GA, March 1991
Latin American Visual Arts Conference - Wake Forest University, Winston Salem, NC, 1993
ARTIST TALK/LECTURER AT
Cornell University - "From the Brazilian Sertão to the Florida Gold Coast" - Ithaca, NY, February 1996
Fayetteville State University - "Artist in Industry" - Fayetteville, NC, 1993
The Fayetteville Museum of Arts - Fayetteville Arts Guild - Fayetteville, NC, 1992
Woman in Visual Arts, Boca Raton, FL, 1995
Cearense Academy of Arts, Fortaleza, Brazil
Naza Art Studio, Boca Raton, FL, 1995, 1997
International Club, Boca Raton, FL, 2002
UNIFOR, Universidade de Fortaleza, 2005
Amapá Federal University, Macapá, 2012
Adventures in the Arts, Boca Raton, FL, 2003
Artserve – Fort Lauderdale, FL 2006
FAU – Florida Atlantic University, 2003
http://en.wikipedia.org/wiki/Naza_(artist)
Twitter: naza_ Facebook: www.facebook.com/naza.artist/ https://www.instagram.com/naza.artist/
+1 (561) 284-9629
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THE ARTIST’S STATEMENT:
I am infatuated with the way opposite views interact. I chose to oppose abstraction versus realism to convey that thought.
When I am using oil on canvas, I either start a completely abstract approach, then, work towards making certain elements resemble recognizable objects, events, or living being or I start from the opposite direction: I quickly create a very realistic image, and, before it dries, I abstract it. The idea is to paint not only a certain subject, but also my own perception of what is happening to it, how it influences its environment, and how it is influenced by it. Thus, each artwork is like an event.
There aren’t any extra layers, and the texture is negligible. The only tools used in the painting process re brushes and a piece of rag to wipe out certain areas. The only materials are oil paint and thinners. Most of the apparent texture of the final work is an illusion achieved with the use of light and dark.
In both approaches, I follow nothing but my deepest feelings.
When I am doing my digital artworks, I use virtual brushes. For each detail, I choose the size and the shape of the brush; how wet or how dry I want the stroke to be; how much pressure I want to use; how transparent; how soft, and other attributes. I don't use any automatic tools such as filters, glow, or shadows. From time to time, I add an illusion of texture which I, then, distort/enhance, whichever I choose to do at that time.
Whether I am painting with oils or using the computer, my style is the same. I am still opposing abstraction and realism as the coexistence of opposite views; I continue placing the main subject within and mixed with the background, instead of in front of it; Ultimately, emotions guide me in the process of making art.
All rights reserved - NAZA -1990
Back in the mid 90s I had my website (www.naza.com) built. However, at that time, no one knew how to attract visitors to their websites or how to build an email list of prospect clients for their business. The most common comments that I got when I told people that I had a website were: “what is that?”, I do not have a computer”, and “I do not have access to the Internet yet”. Later, those comments were substituted by “my son is the one who uses the computer”…
I decided to dig for any kind of tool that could help me spread the word about my website. That was when I found the Yahoo Chat. I used to go from chat room to chat room cutting and pasting the same sentence: “You are invited to visit my art exhibition”. Some people followed me to the next room and started a conversation. They invariably went to my website. According to their comments, I would add them as my friends and made notes to myself to mark the potential buyers.
I made a lot of personal friends and collectors using that approach. One of them was Tim Hulings, from West Virginia. He hired me to paint his 90 year old mother in her garden. At first, I was a little scared and suspicious. However, I decided to take the risk and fly to Washington, D.C., rent a car, and drive across mountains and the Shenandoah Valley, to the very end of the road past a little town in West Virginia. The road ended exactly in Mrs. Hulings front yard.
It was a beautiful sunny spring day. Next door, I saw another house with a very large front yard where horses were eating. I recognized the red barn that Tim had talked about in the chat room. The silence was complete. Suddenly, I felt really scared. What if this was a trap, set up by some weirdo to get me in the middle of no were alone with him? The only safety precaution that I had taken was to give the directions to my whereabouts to my ex-husband, who lived in Arlington, VA. Having a cell phone made me feel safer.
I knocked at the door, but no one came. I yelled a few times, but nothing happened. I had come too long a way to turn back without doing my job. Since there was no fence, I went around the house to the garden. I remembered Tim telling me in the weeks that preceded my trip that he kept talking to his mother’s flowers asking them to stay beautiful and wait for me to get there before they died. Among such a variety of flowers, the life span of some of them was probably very short.
Then, I saw her. Mrs. Hulings was kneeling at a flower bed, next to a very old sheep and an even older dog. I introduced myself and told my reason to be there. She smiled and welcomed me. I asked her if I could take some shots of her while she was working with the flowers, and she said it was ok.
About thirty minutes later, Tim arrived. It was so cool to meet a chat friend for the first time!!! After a little talk (he was in his lunch break), I asked him if I could paint his mother and in the garden, instead of only the garden. He agreed. After a few minutes talking, I started my trip back to D.C. area, then, flew to Florida, where I did the painting, having as reference the photos that I shot. According to a reporter who interviewed me later for the Sun Sentinel, the Hulings family told her that the painting had been the focus of a birthday party for my subject.
I lost contact with Tim after he changed his email. Those Yahoo chat days are long gone, but some of those virtual friends that I made in 1995, 96, and 97 became friends for life. Some became my collectors too.
I met him at Puente de Las Americas, the bridge that connects Central America to South America (passes over the Panama Canal). I was returning home to Fort Kolby, an American base, when I saw him on his bike. From the way he had the Brazilian flag flying and extra inner tubes strapped to his bike, I immediately saw that he was a Brazilian on his way to the North. I had read months ago about a Brazilian who was cycling to Mexico to watch the World Cup. I thought maybe he needed help. I stopped the car after the bridge and waited for him. He was very excited to meet a Brazilian and said he had no money or food and had no idea how he was going to survive until he reached Mexico City. I was still going to pass through 4 Central American countries and two wars (El Salvador and Guatemala), but he was hopeful that he would meet indigenous people on the road and he would ask them for food. I saw that he was very dirty and, considering the size of the luggage, perhaps he didn't have a change of clothes. I offered to take him to eat and shower at my house and while he was showering I threw his clothes in the washer and then in the dryer. I called a friend who was a Calói (bicicle brand) representative to see if he could give the guy some money, but he was traveling. Still, his secretary gave the guy extra air chambers. I called a radio station that had interviewed me before and suggested that they interview him. They loved the idea and we went there, with me acting as interpreter. The radio owner went there, donated 100.00 dollars and called his army friends in Costa Rica, Honduras and Guatemala to ask for accommodation for the guy in the army barracks. He apologized for not being able to help with regards to El Salvador and Nicaragua because of the war in those counties. The young man continued his journey and I never heard from him again. yesterday I read this article by Brazilian Times and I asked myself: “Did the young man make it to Mexico?” I'm happy to finally know that he made it.
I wonder if "Marreco" would have been able to get to Mexico without the 100.00 that the owner of the radio gave him, the inner tubes and tires that my friend's secretary gave him and the help from the military from _Cost Rica and Guatemala, friends of the radio owner.
I took a lot of risk in taking him home, because I didn't know if he was crazy or a thief, and I was alone at home, as my husband, who was an American officer, was traveling.
I'd rather take risks helping someone who is in need than avoid helping for fear of what may never happen.
Here is the article by Brazilian Times: https://www.braziliantimes.com/brasil/2022/11/16/conheca-a-historia-do-brasileiro-que-foi-a-copa-do-mexico-de-bicicleta.html
By Naza