Portrait sittings can be arranged at the
location of your convenience, otherwise by photographs.
Retratos podem ser pintados através de pose ou por fotografia.
Questions??? Call now - (561) 289-1362
See Painted Portraits Below
Hernandez
Portrait of Dr. Martin Luther King Jr.
Araujo & Cordeiro
Portrait of Mrs. Hullins in her garden
Portrait of Jimmy Ryce
Lea and Kika
Lucien
Portrait of Ivana Trump oil on canvas 30" x 36"
Portrait of Congressman Francisco Silva oil on canvas 30" x 24"
Portrait of the pets Excalibur and Chantal
Congressman Fortes
Congressman Magalhaes
Ms. Izabel
Riberio
Portrait of Alisha Sherman oil on canvas 18" x 24"
Princess Diana
Ayrton Senna
Ludmila
Max Green
Artist self portrait
oil on canvas
18"x 24
Portrait of Mr. Joseph Strode Jr. Carrying the Olympic Torch through Palm Beach County
Since my childhood, people always made jokes about my name being so similar to NASA's. When I was painting John Glenn I decided to make the upsidedown reflecxion of NASA's logo with a "z".
Oil on canvas
Will go to the Collection of The John Glenn Institute
Columbus, Ohio 30"x 36"
Portrait of Natalia Jereissati
Roberto Carlos
Portrait of baby Luisa Queiroz
Portrait of Mick Jagger
Mrs. Jereissati
Portrait of Anisia Bufara
Portrait of Celina Queiroz
Portrait of Vera loyola
Portrait of Ayrton Queiroz
Portrait of Juanita Boyd
Portrait of Brad Pitt
Portrait of Dr. Martin Luther King
karina knapp
Portrait of Suzane Jales
Prices
The
following table represents a price list as a function
of the size of the
portrait painting with one subject:
16" x
20" (40cm x 51cm)...................2,300
28" x
22" (71cm x 56cm)...................4,000
18" x
24" (46cm x 61cm)...................3,000
36" x
30" (91cm x 76cm)...................6,000
60" x
48" (150cm x 125cm)...............9,000
Add $1,500 for each additional
person in the same painting. Adicionar $1.500 por cada pessoa extra no mesmo
quadro.
CONTEMPORARY STYLE PORTRAITS
Painting Beyond the Subject’s Features
Portrait Painter Naza is infatuated with the way opposite views interact. She choses to oppose abstraction versus realism to convey that thought.
Some times she starts the portrait with a completely abstract approach and work towards making certain elements resemble the features of her subject. Other times she starts from the opposite direction: she quickly paints a very realistic portrait, and, before it dries, she abstracts parts of the painting. In both approaches, she follows her own deep feelings about her model. The idea is to paint not only theportrait of the person, but also what is happening to it, how it influences its environment, and how it is influenced by it. Thus each painting is like an event.
Naza says that she thinks of the different areas of the final artwork as living elements that are part of the whole. They are acting, interacting, complementing or opposing each other, anyway, living.
The depth of Naza’s images is so astounding that visitors of the Artist’s website often ask if her art is tri-dimensional. The truth is that most of the apparent texture of the final work is an illusion. It is not as tri-dimensional as it looks. The actual texture of the canvas is insignificant. What one sees is a lot of contrast of light and dark, which gives the painting this appearance. Due to the transparent effects that she achieves with the medium, her oil portraits have the vibrancy of watercolors.
Naza’s technical skills, her talent, her commitment to excellence, and her business ethics have made her one of the most famous and respected modern portrait artists in the World. ”Artist self portrait” has been a constant subject of some enquiries about Naza’s oil portraits, since her 1994 self portrait has become one of her most published works on the international press.
Asked about he views on art, Naza says that “only Artists can really pass to the future generations what the deep inner reality of their own generation really is. Each piece of true artwork caries something like a photo or a film of the emotions of the Artist, which were based on the environment in which that artist lived, including his views of the World, his/her feelings, as well as the views and feelings of society as a whole. THAT IS EXACTLY WHAT I WOULD LIKE MY ART TO ACHIEVE.”